Audio feedback and Granular synthesis References
1-
Auditory
interfaces: the Use of non-speech audio at the interface.
Unfinished, Buxton, W., Gaver, W. & Bly, S. (1994), http://www.billbuxton.com/Audio.TOC.html
2-
Modelling and sonifying pen strokes on surfaces, Christian Muller, Tobias
Munch, Proceeding of the COST G-6 conference on digital audio effects
(DAFX-01),
3-
Audio
Feedback for Gesture Recognition, John Willamson, Rod
Murray-Smith, http://www.dcs.gla.ac.uk/~jhw/audio.pdf
4- Different
effects of auditory feedback in man-machine interfaces, http://www.ipo.tue.nl/homepages/mrauterb/publications/HFAW99chapter.PDF
5- Consonance
based spectral mappings , William A. Sethares, Computer Music Journal,
22:1, pp 56-72, Spring1998 , http://eceserv0.ece.wisc.edu/~sethares/paperspdf/cmj98.pdf
6- Audio-enhanced
collaboration at an interactive electronic whiteboard, Christian Muller, Tomfelde
and Sascha Steiner, Proc of the 2001 international
Conf. On Auditory Display,
7- Scanned
Synthesis, Bill Verplank, Max
Mathews, http://www.billverplank.com/ScannedSynthesis.PDF
8- Distilling the Underlying Dimensions
of Tactile Melodies
Jan B.F. van Erp & Michiel
M.A. Spapé http://www.galakthorroe.de/images/tactil.pdf
9-
An Auditory Display System for Aiding Interjoint
Coordination, Claude Ghez, Thanassis Rikakis, R. Luke DuBois, Perry R.
Cook , http://www.music.columbia.edu/~than/Propr/icadfinal.html
10- Glove-TalkII:
A neural network interface which maps gestures to parallel formant speech
synthesizer controls (1998),
S. Sidney Fels, Geoffrey E. Hinton, IEEE Transactions
on Neural Networks
http://citeseer.nj.nec.com/cache/papers/cs/939/http:zSzzSzwww.mic.atr.co.jpzSz~felszSzpaperszSzIEEE.transNN.Jan98.uc.pdf/fels98glovetalkii.pdf
11-
Glove-Talk: A neural network interface between a data-glove and a speech
synthesizer, 1993,S. Sidney Fels, Geoffrey E. Hinton,IEEE
Transactions on Neural Networks, http://citeseer.nj.nec.com/cache/papers/cs/939/http:zSzzSzwww.mic.atr.co.jpzSz~felszSzpaperszSzIEEE.transNN.Jan94.pdf/fels93glovetalk.pdf
12-
Virtual Musical Instruments: Accessing the Sound Synthesis Universe as a
Performer (1994), Axel Mulder, http://citeseer.nj.nec.com/cache/papers/cs/3479/http:zSzzSzwww.cs.sfu.cazSz~amulderzSzpersonalzSzvmizSzBSCM1.pdf/mulder94virtual.pdf
13-
Gsynth- Granular synthesis music composition and effects
processing, Bill Punch , October 6, 1997, http://garage.cse.msu.edu/~punch/projects/music.html
14-
Granular Synthesis, Eric Kuehnl’s writing page , http://music.calarts.edu/~eric/gs.html
15-
Auditory interfaces, A design
platform, Dan Gardenfors, 2001, http://www.designsounds.net/auditoryinterfaces.pdf
16-
Mapping GUIs to Auditory
Interfaces, E.D. Mynatt, W.K. Edwards,
Graphics, Visualization and Usability center ,
17-
The development of a sonically-enhanced widget set.
18-
Multimodal scanning input with non-speech sounds (Technical Report No. ERCIM-10/95-R040).
ERCIM, Brewster, S.A. Raty, V.-P. & Kortekangas, A. (1995), http://citeseer.nj.nec.com/364998.html
19-
Enhancing scanning input with non-speech sounds. In Proceedings of ACM ASSETS'96 (
20-
Using Non-Speech Sounds in
21-
Overcoming the Lack of Screen Space on
22-
Using non speech sounds to provide navigation cues, Stephen A.Brewster, ACM Transactions on Computer-Human Interaction, 5(2), pp 224-259, http://www.dcs.gla.ac.uk/~stephen/papers/TOCHI98.pdf
23-
Designing Non-Speech Sounds to Support Navigation in Mobile
Phone Menus. Leplatre, G. and
24-
Using non speech sounds to
improve access to 2D tabular numerical information for visually impaired users,
Ramloll, R., Yu, W., Riedel, B. and Brewster,
S.A, In Proceedings of BCS IHM-HCI 2001 (
25-
Auditory,
Graphical and Haptic Contact cues for a Reach, Grasp,
and Place Task in an Augmented Environment , M. A. Zahariev
and C. L. MacKenzie, International Conference on
Multimodal Interfaces, ICMI'03
26-
Sound
Enhances Visual Perception: Cross-modal Effects of Auditory Organization on
Vision, J. Vroomen and B. de Gelder,
In Journal of Experimental Psychology: Human Perception and Performance, 2000
27-
A
FRAMEWORK FOR SONIFICATION OF VICON MOTION CAPTURE DATA, A. Kapur
and G. Tzanetakis and N. Virji-Babul
and G. Wang and P. R. Cook, Proceedings of the 8th International Conference on
Digital Audio Effects (DAFX-05), 2005
28-
Movement Sonification:
Effects on Perception and Action, A. O. Effenberg, IEEE Multimedia, Interactive Sonification Special Issue, 2005
29-
On
Acoustic Information for Motion, R. L. Jenison, Ecological Psychology, 1997
30-
Nonvisual Navigation by Blind and Sighted: Assessment of Path Integration
Ability, J. M. Loomis and R. L. Klatzky and R. G. Golledge and J. G. Cicinelli and
J. W. Pellegrino and P. A. Fry, Journsl of
Experimental Psychology: General, 1993
31-
An
Auditory Display System for Aiding Interjoint
Coordination, C. Ghez and T. Rikakis
and R. L. DuBois and P. R. Cook, Proceedings of
International Conference on Auditory Displays, ICAD'01
32-
The
Sonic Finder,
33-
Auditory
Interfaces, W. Gaver, Handbook of Human-Computer
Interaction, 1997
34-
A
comparison of feedback cues for enhancing pointing efficiency in interaction
with spatial audio displays, G. Marentakis and S. A. Brewster, Proceedings of the 7th
international conference on Human computer interaction with mobile devices
35-
Gesture
Interaction with Spatial Audio Displays: Effects of Target Size and
Inter-Target Separation, G. Marentakis and S. A.
Brewster, Proceedings of International Conference on Auditory Displays, ICAD'05
36-
Granular
synthesis for display of time-varying probability densities, J. Williamson and
R. Murray-Smith ,International Workshop on Interactive Sonification
(Human Interaction with Auditory Displays), 2004
37-
Sonification of Probabilistic Feedback through Granular
Synthesis, J. Williamson and R. Murray-Smith, IEEE Multimedia, 2005
38-
Multimodal
``Eyes Free'' interaction techniques for wearable devices, S. A. Brewster and
J. Lumsden and M. Bell and M. Hall and S. Tasker, Proceedings of the ACM Conference on Human Factors
in Computing Systems, CHI'03 (
39-
Using
Non-Speech Sounds in
40-
Presenting
Dynamic information on Mobile Computers, S. A. Brewster and R. Murray, Personal
Technologies, 2000
41-
Effective
sounds in complex systems:The ARKola
simulation, W. Gaver and R. Smith and T. O'Shea,
Proceedings of the ACM Conference on Human Factors in Computing Systems CHI'91
42-
Sonic
enhancements of two dimensional graphic displays, M. Blattner
and A. Papp and E. Glinert,
Proceedings of International Conference on Auditory Display,ICAD'92,
43-
Using non-speech sound to overcome information
overload, G. Kramer and B. Walker and T. Bonebright
and P. Cook and J. Flowers, N. Miner, J.Neuhoff,
Report prepared for the National Science Foundation by members of the
International Community for Auditory Display, 1999
44-
Listen
to your data: Model-based sonification for data
analysis, T. Hermann and H. Ritter, Intelligent computing and multimedia
systems, 1999 http://www.techfak.uni-bielefeld.de/ags/ni/projects/datamining/datason/demo/ISIMADE/
45-
Sonification of Markov chain monte carlo simulations, T.Hermann,
M.H. Hansen, H.Ritter, Proceedings of the 2001
international conference on auditory displays ,Espoo,July
2001, http://citeseer.nj.nec.com/448233.html
46-
Principal
curve sonification, T. Hermann and M.H. Hansen and H.
Ritter, Proceedings of International Conference on Auditory Displays, ICAD'00, http://citeseer.nj.nec.com/herman00principal.html
47-
The
discipline of interactive sonification, T. Hermann
and A. Hunt, Proceedings of the International workshop on interactive sonification, 2004
48-
Auditory
Scene Analysis: The Perceptual Organisation of Sound,
A. S. Bregman, MIT Press,
49-
Localisation and Auditory Scene Analysis, N. Smith, http://www.psych.mcmaster.ca/nsmith/2e03/lecture8localization.pdf
50-
Interacting
with an information space using sound: accuracy and patterns, J. Holmes, of ICAD 05-Eleventh Meeting of the
International Conference on Auditory Display, 2005
51-
Sonified Interactions with
52-
Audio-Vision,
M. Chion,
53-
ENO:
synthesizing structured sound spaces, M. Beaudouin-Lafon
and W. Gaver, Proceedings of the 7th annual ACM
symposium on User interface software and technology , 1994
54-
Real
Sound Synthesis for Interactive Applications, P. R. Cook, Peters, A K, Limited,
2002, ISBN:1-56881-168-3
55-
Using
Dsp-based Parametric Physical Synthesis Models to
Study Human Sound Perception, P. R. Cook and S. Lakatos
, IEEE workshop on Applications of Signal Processing to Audio and Acoustics,
2003
56-
Effects
of auditory context cues and training on performance of a point estimation sonification task , D. R. Smith and B. N. Walker , Applied
Cognitive Psychology , 2005
57-
Navigation
performance with a virtual auditory display: Effects of beacon sound, capture
radius, and practice, B. N. Walker and J. Lindsay, Human Factors, 2006
58- A 3D sound
primer by Gary Kendall, http://music.northwestern.edu/classes/3D/pages/sndPrmGK.html
59- An
introduction to Head-Related transfer functions (HRTF’s)
, Corey I.Cheng, Gregory H.WalkField,
http://www.eecs.umich.edu/~coreyc/pre-prints/aes107_preprint.pdf
60- Auditory
display of sound source distance, Pavel
Zahorik, Proc
of the 2002 international Conf. On Auditory Display,
61-
Localization of a moving virtual sound source in a virtual room, the
effect of a
distracting auditory stimulus, Proc of the 2002 international Conf. On Auditory
Display,
62-
ACHORRIPSIS: A SONIFICATION OF PROBABILITY DISTRIBUTIONS, Edward Childs, Proc of the 2002 international Conf.
On Auditory Display,
63-
Using sonification to enhance perception and
reproduction accuracy of human movement patterns, Alfered O. Effenberg, Interactive sonification workshop,
64-
Model-based target sonification
on mobile devices, P. Eslambolchilar, A. Crossan, R. Murray-Smith , International Workshop on
Interactive Sonification (Human Interaction with
Auditory Displays), Bielefeld, Germany , Jan 2004, http://www.dcs.gla.ac.uk/~rod/publications/EslCroMur04.pdf
65-
Human-computer interaction design based on interactive sonification- hearing actions or instruments/agents, Mikeal Fernstrom, Eoin Brazil, Interactive sonification
workshop, University of Bielefld, Germany, Jan 2004
66-
The Discipline of Interactive Sonification , Andy Hunt, T. Hermann , Interactive sonification workshop,
67-
POSER: Parametric Orchestral Sonification of
EEG in Real-Time for the Self-Regulation of Brain States, T. Hinterberger,
Interactive sonification workshop, University of Bielefld, Germany,
Jan 2004
68-
Sonification of Group Behavior for Analysis and Training of
Sports Tactics, Hِner, Hermann, Grunow,
Interactive sonification workshop, University of Bielefld, Germany,
Jan 2004
69-
Interactive Sonification for exploring Single
Molecule Properties with AFM based Force Spectroscopy, Martini, Hermann, Anselmetti,
Ritter , Interactive sonification workshop,
70-
Informative sonic feedback for continuous human controlling a sound
model of a rolling ball, Rath, Rocchesso , Interactive sonification
workshop,
71-
Integrating Data Sonification with Synthetic
Speech for Unified Data Access, Dr. T. Stockman, Interactive sonification
workshop,
72-
Interactive Sonification of Helicopter flight
data and muscle (EMG) data, Pauletto,
Hunt, Interactive sonification workshop,
73-
Contact Sounds for Continuous Feedback, Rocchesso, Avanzini, Rath, Bressin, Serafin, Interactive sonification
workshop,
74-
Model-based
Target Sonification in Small Screen Devices:
Perception and Action , P. Eslambolchilar and R. Murray-Smith, Handbook of Research on User Interface
Design and Evaluation for Mobile Technology , Book Chapter, 2007
Auditory Cognition
1. Ghazanfar, A.A., Neuhoff,
J.G., Logothetis, N.K. (2002). Auditory looming
perception in rhesus monkeys (24) 15755-15757, http://jneuhoff.com/Monkey%20Looming.pdf
2.
Seifritz, E. Neuhoff, J. G., Bilecen, D., Scheffler, D., Mustovic, H., Schächinger,H.,
Elefante, R., & Di
Salle, F. (2002) Neural processing of auditory 'looming' in the human brain 12,
2147-2151.
3.
Neuhoff, J. G. (2001) An adaptive
bias in the perception of looming auditory motion. Ecological Psychology
13 (2) 87-110.
4.
Neuhoff, J. G. (1998). A perceptual bias for rising tones.
395 (6698), 123-124. http://jneuhoff.com/RisingBias.pdf
5. Neuhoff, J. G ,A SPATIAL AUDITORY DISPLAY FOR
THE PREVENTION OF PEDESTRIAN- http://www.icad.org/websiteV2.0/Conferences/ICAD2003/paper/20%20Neuhoff.pdf
6.
Neuhoff, J. G., McBeath,
M. K., Wanzie, W. C. (1999). Dynamic frequency
change influences loudness perception: A central, analytic process.
25 (4), 1050-1059, http://pages.wooster.edu/jneuhoff/PitchLoud.pdf
7. McBeath, M. K., & Neuhoff,
J. G. (2002). The Doppler effect is not what you think
it is: Dramatic pitch change due to dynamic intensity change. Psychonomic Bulletin & Review 9 (2)
306-313. http://jneuhoff.com/PBR-Doppler.pdf
8.
Neuhoff, J. G., & McBeath, M. K. (1996). The Doppler
Illusion: The influence of dynamic intensity change on perceived pitch. Journal
of Experimental Psychology: Human Perception and Performance. 22 (4)
970-985. http://jneuhoff.com/Doplusion.pdf